For Great Keynes, as for most English villages and towns at this time, secular affairs were so deeply and intricately interwoven with ecclesiastical matters that none dared decide on the one question without considering its relation to the other; and ecclesiastical affairs, too, touched them more personally than any other, since every religious change scored a record of itself presently within the church that was as familiar to them as their own cottages.

On none had the religious changes fallen with more severity than on the Maxwell family that lived in the Hall, at the upper and southern end of the green. Old Sir Nicholas, though his convictions had survived the tempest of unrest and trouble that had swept over England, and he had remained a convinced and a stubborn Catholic, yet his spiritual system was sore and inflamed within him. To his simple and obstinate soul it was an irritating puzzle as to how any man could pass from the old to a new faith, and he had been known to lay his whip across the back of a servant who had professed a desire to try the new religion.

Robert Hugh Benson (1871–1914) was born just outside of London, the youngest son of Mary Sidgwick and Edward White Benson, the Archbishop of Canterbury from 1883 to his death in 1896. Benson studied at Eton and Trinity College in Cambridge and was ordained to the Anglican priesthood by his father in 1895. Benson decided to enter an Anglican religious order, the Community of the Resurrection, however, his attraction to Rome grew as he continued his studies and deepened friendships with Roman Catholics. In 1903, he was received into the Catholic Church. After nine months of study in Rome, he was ordained a Catholic priest. 

Benson was sent to Cambridge to write and serve as a priest chaplain to the Catholic community. Later, he was allowed to live on his own to devote himself to writing. A prolific author, he traveled extensively, writing and lecturing. Robert Hugh Benson wrote many apologetic works, including The Religion of the Plain Man, Paradoxes of Catholicism, and Confessions of a Convert. He was also a bestselling novelist, writing The Holy Blissful Martyr Saint Thomas of Canterbury, Come Rack! Come Rope!, and The Necromancers. The dystopian novel Lord of the World is his best-known work.